Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, December 30, 2010

2011 : A Space for an Odyssey


This New Year I am probably the last person who should write about “How to keep New Year’s resolutions” (so I won’t). I am as guilty as anyone of what I call the creative “Art of Multi-crastination” and have a task list longer than my arm stretched out before me as we speak!  
For that purpose, Angelo Bell has a wonderful Blog post for Filmmakers that offers up some great tips for setting powerful goals and keeping them here: 11 Ways to Keep Your Indie Film New Years Resolutions
I’d like to talk about the “Why” - Why NOW is a particularly important time. And I don’t mean in that nebulous Zen “Now is the only moment of power” kind of way (even though it’s true).
As we approach this New Year - 2011, many of us carry forward resolutions to do more, do it better, and get in great shape while we are doing it.These valiant goals and others come in many forms and just about every artist, writer, musician, filmmaker and entrepreneur have a host of industry specific goals they would like to achieve at the start of each year.
 For Artists of all kinds, the journey from creative inclinations to professional aspirations and achievements is indeed a great odyssey! 

But this year is a particularly interesting and fortuitous year to get on top of that list and really tackle the goals you wish to achieve.“The industry” is in a temporary upheaval and there is a groundswell of independent arts activity and technology that is shifting the balance of power and creating a more Artist friendly environment with more direct connection to audiences. Alternate paradigms are emerging and gaining ground. 

The challenge and core “down in the gut” question for many ambitious creative people has always been “How can I “make it” doing what I love to do?”  For many that means finding a functional “middle class” path that not only provides life’s necessities, but also the means to facilitate the manifestation of more new and unique collaborations and works of art and entertainment.

There are some lovely new “memes” spreading across the internet like “authenticity” and “Becoming one’s own brand”, but … there is still a long way to go! There is always the danger that these ideas with such great potential could simply be assimilated and abused to dysfunction by the pre-existing stagnant industry giants or people that are still so saturated by the previously engrained “competition” and “scarcity” based paradigms that they simply imprint the old memes upon the new ones, effectively canceling their value. (i.e. SPAM and “Push Selling” ain’t “NEW” or “authentic” simply because it’s “tweeted” from a freakin’ Star Trek lookin’ Android or iPhone”).

2011 holds a great deal of potential opportunity precisely because we are in this state of flux. The atmosphere is bristling for change and anyone with the courage and fortitude to play a positive role in that development NOW has a good chance of finding their “wave” in the years to come. Being flexible and open to new ideas, people and processes while maintaining clear focus on our goals may just be the key to riding this wave. I truly hope that there are many of us who can heed this call.
  • We need to cautiously but expeditiously find our way through developing better business paradigms SO THAT we can really sit down and focus on developing our craft and our art. That is after all, the heart of what we do and the reason why most of us do it in the first place.
  • We need to be able to focus on writing NEW stories and finding amazing new ways to tell them.
  • We need to expand our creative and cultural vocabularies by collaborating with artists, friends and partners that enrich and enhance each other
  • And we need (and deserve) to be able to survive and thrive while growing and expanding to our full creative potential. “The Arts” play a very important role in culture – too important to be left in the hands of bean counters and corporate executives with no connection to the art itself.
Whatever your role in the world of arts and entertainment, now is the time (while the “system” is broken or at least reasonably off its footing) to rebuild our industry more in the image we’d like to see, rather than simply struggling to get on for the ride and trying like hell not to get bucked off.

Just keeping our ordinary New Year’s resolutions seems hard enough. Getting on point toward building a great career and body of work in the Arts is an added challenge. Doing it during an economy in flux adds even further complication. Attempting to change the industry one artist at a time may seem even more daunting. But determining to do any of those things NOW may just be the single step that launches the rest of your own amazing creative odyssey in the world of Art and Filmmaking in the 21st Century.

Stanley Kubrick's "2001 A Space Odyssey" was a groundbreaking film and represented what great filmmakers could achieve at the time. It spoke to the 21st Century over thirty years before it would actually arrive.  


Take inspiration from that and speak to your own future as an Artist and your own personal creative odyssey for 2011.
                                                                                                                                           Happy New Year!
T. Reed  - Composer @TAOXproductions                                                                http://www.taoxproductions.com



Sunday, October 31, 2010

Vampire Mob - Staking a Claim on Season Two!


VAMPIRE MOB UPDATE - 04/21/11


It's Springtime! Vampire Mob has started shooting Season Two because of all of you and that is exciting. But they could still use some more funds to ensure the completion of the new season! I am still offering the bonus music reward for all financial backers of Vampire Mob, a dowloadable 70 minute CD DJ mix of original music created by TAO X Productions studio, from cinematic horror music to electronica fit for danceclub vampires. They also have the AWESOME Vampire Mob logo and "we are all famous to a few people" T-shirts available to help support the cause!


The new season has added even more cast members you are sure to enjoy. So check out the new trailer for Season Two and whether you are new to the "VMob" or a previous supporter, please think about donating to keep making this excellent Web TV possible!
Go to their site to find out more and check out the great swag you can get for becoming a supporting producer! Read the original article below and head on over to WWW.VAMPIREMOB.COM
Q: What did the Fonz say when he met Vampire Mob? A: "Heeyyyyy!

THANK YOU!
Indie Film & TV Supporters
.....................................................
ORIGINAL ARTICLE - Halloween 10/31/10
This Halloween I wanted to share a GREAT web series with a dedicated cast and crew working hard to bring you a quality show well worth your time. What happens when you put writer/director Joe Wilson behind the reigns of a labor of love Vampire Comedy featuring TOP NOTCH actors and quality writing?
Vampire Mob happens! 
If you haven't seen it yet, you are missing out!
The premise is stunningly simple and a great vehicle for this talented cast and crew! "Vampire Mob" revolves around the life (afterlife?) of John Colella's character, the Mobster turned Vampire, Don Grigioni...and his Family!
"He’s a hitman and a vampire, and he just found out 
his mother-in-law is moving in for eternity."

Check out Episode 1
You can catch the rest of Season One at VampireMob.com


The series, produced by Joe Wilson & John Colella, has completed its six episode run of Season One which has featured cast members from “The Simpsons,” “Boardwalk Empire” and “Criminal Minds,” and includes John Colella, Reamy Hall, Marcia Wallace, Kirsten Vangness, Chris Mulkey, Elizabeth Beckwith, Andrea Cansler, Jim Roof and Cris DAnnunzio. Members of the VMob cast have also appeared in: The Bob Newhart Show, Twin Peaks, Friday Night Lights, CSI: NY, The West Wing, General Hospital, Bowfinger and others. Season One, I came to discover, was the entirely self-financed labor of love of Joe Wilson. Now its time for Season Two! Vampire Mob could use any help they can get financing Season Two and they would love it if their Fans themselves could directly effect the outcome by pitching in what they can! They are offering many delicious rewards for contributing to the creation of this high caliber, new media monster madness. You can contribute directly at the Vampire Mob site! 

To give the VMob a hand, I have donated to help make Season Two, AND I am offering a FREE music download of wonderfully horrific Halloween appropriate music I had just put together for a Flyway Film Festival Special Backer Event - A screening of Gary King's "The Death of the Dead".
Some of this music will never be released anywhere else except for these downloads available only to the Flyway Film Fest Kickstarter backers, and now YOU, VMob supporters who donate to the Vampire Mob Season Two campaign! I even provided some sassy CD art and a track list for this Halloween DJ Mix of original music from TAO X Productions !
A little or a lot, give what you've got, if you like quality entertainment...and Vampire Mobsters, 
Help keep this show Undead!!!
Contribute to Season Two and get a Vampire Mob Backer Reward that consists of a 70 minute mix of some BADASS cinematic horror and dark electronic club thumping vibes by 'your's truly' Composer T. Reed of TAO X Productions created right here in my Nightmare Sound Laboratory!  
Go DONATE at the Vampire Mob Website and get your access code for this FREE DOWNLOAD. Click on the CD image below to get to download site and enter your code to access your reward!
 And please, spread the word...before the sun comes up!
Please feel free to follow the Nightmare Sound Lab Blog 
          and let me know what you think of Vampire Mob in the comments below!

Thursday, October 21, 2010

"Death of the Dead" at Flyway Film Fest 2010

Halloween is almost at hand and the Flyway Film Festival located in Pepin & Stockholm Wisconsin has already begun! Big ups to my fellow Wisconsinites on their successful Kickstarter campaign which helped fund this years awesome films and events including the Special Kickstarter Backer Screening/Party for Gary King's "Death of the Dead" Friday October 22nd at 10:00 PM at the Lake Pepin Art & Design Center Director Gary King will be in attendance!
I like to help and encourage other Wisconsin film and music makers to step up to the craft however and whenever possible. Unfortunately, I am booked in the studio for the next month and will not be able to attend this years event! I did however do my part by pitching in to the Flyway Film Festival Kickstarter Campaign AND I have been asked to provide a CD of music for the DOTD After Party. And this I have done, (and if snail mail cooperates it will be arriving before Friday Night's Event!;)

In fact, I thought I would volunteer to add a bonus to the rewards offered by the Flyway Film Fest! For anyone who was a Kickstarter Backer for  this years festival, I am going to offer a FREE DOWNLOAD!

Are YOU one of the 65 backers of The Flyway Film Festival Kickstarter Campaign? Would you like to receive a FREE DOWNLOAD of the 'Death of the Dead Party -TAO X MIX'?


All you have to do is comment on this article (in the comments section below) including the phrase:
"I supported the Flyway Film Festival on Kickstarter".


OFFICIAL INSTRUCTIONS UPDATE - As posted on Flyway Film Festival Kickstarter Backer site:
TAO X Productions is offering a Halloween Bonus Reward for anyone who supported the Flyway Film Festival Kickstarter Campaign:
I gotta make you work for it a little bit, so leave a comment that includes the phrase "I supported the Flyway Film Festival on Kickstarter" under this Blog Post: http://nightmaresoundlab.blogspot.com/2010/10/death-of-dead-at-flyway-filmfest-2010.html
And send me an email to taoxproductions@gmail.com or follow & tweet me @TAOXproductions letting me know, so I can email or DM you a link & code to retrieve a FREE download of the DJ mix I created for The Flyway Film Festival "Death of the Dead" Special Kickstarter Backer Screening After Party!
Scary good music all from my studio for the scary holiday:)
I would also love it if anyone would choose to follow my Nightmare Sound Lab Blog!
Feel free if you like, but I won't make you do that to get your reward.
Thanks,
T. Reed - Composer/Producer
TAOX {The Art of X} Productions
http://www.taoxproductions.com
http://nightmaresoundlab.blogspot.com

P.S. If you are already a blog follower but did not support the Flyway Film Fest campaign and want a copy, please comment on this article with some damn fine fancy talkin' on what you do to help and uplift the state of independent artists, musicians, filmmakers and the craft in general. I can be persuaded to give out a few more codes for a free download:)

Thanks for all of you who are dedicated to the craft and culture!

T. Reed - TAO X Productions - Nightmare Sound Laboratory



Wednesday, October 13, 2010

"Multi-Crastination" The Dark Side of a Busy Creative Mind!

Let me preface this article with a little background. I am a 'Type A', multi-media multi-taskin' creative madman who is entirely unsatisfied sticking to one discipline. I do believe I could be very happy with a set of octopus arms to achieve all that I would like to. So far, knowing of no living mad doctors who can achieve this operation successfully, I have had to settle for less sleep to create more time.
I started as a graphic artist only to become a musician. I employed all of my artistic and sculptural skills for supporting my musical projects including creating posters, promo art, packaging, props, and set/stage design. For two decades I have been pouring creativity out of one vessel or another. I became involved in video production in the late 80;s and since that time have added several other skills and projects to my already full schedule of mad scientist, rock and roll
'comic bookery'                 (To use a term Tyler Weaver, (creator of "Whiz Bam Pow") likes to say.)
The other day I visited Tyler Weaver's Blog News at: The Tyler Weaver Daily and there was a mysterious audio file the emerged from out of nowhere! I couldn't even be sure that is where it came from! I was frantically closing windows to see if some strange pop up had hit me...nothing; Maybe it was only my subconscious speaking to me? In any event, I am not normally keen on auto-play files on websites wherever they come from, but this one was tastefully mixed, haunting, humorous, and the source of an epiphany in my life as a crazy multi-media artist!
It was a lecture from a soft compelling voice with gentle British accent describing the nature of procrastination.

"Procrastination is..." - It listed through a number of obvious definitions. We've all been there and can relate. But then...it got a little deeper.

Now, I know I procrastinate, but I'm also so busy most of the time that it is hard to picture myself as a "procrastinator" per se'. I mean, how can one be procrastinating if they are always busy, right?
And that is where the revelation kicked in...
I laughed when the voice said "Doing the dishes is procrastination." Because yes, I had coincidentally stepped into the kitchen to do a few dishes when I heard it;)
"Making lists is procrastinating" ...
BUT WAIT! I have to make lists to keep all these projects and their (ever-extending) schedules in order!...And on and on the list went...etc., etc.

And then it said something I can only paraphrase (as the ghostly voice has since vanished from whence it came.) It regarded starting new projects to ensure you could never finish any of the old ones still lost in the loop. FLASH! A light went on in my head. I know I DO THAT! It's not on purpose, and I definitely DO finish lots of things, but still, there is an element of truth inside the statement uttered by that disembodied voice!

There is a certain thrill to the chase when it comes to ideas. The pragmatics and logistics of starting a marketing campaign for an idea in motion, is generally not as alluring as the next "BIG THING" idea that pops into one's head. Carried to it's logical conclusion, without discipline, this can lead to creative projects left on the back burners (of a stove stored in the garage.)

Keep loving what you do and doing what you love!

What do you love to do creatively? Have you fallen into the trap of 'multi-crastinating'? When you've finished adding your comments, you can always procrastinate some more by visiting fellow 'multi-crastinator' Tyler Weaver's latest project at: http://tyler-weaver.com/WhizBamPow!.html
Let me know what you think in the comments!

And don't forget to TWEET if you are a #multicrastinator as well!
~

Saturday, September 11, 2010

Born Free...Lance -The Thrill & the Peril

FREELANCE! 
Lets take a little closer look at that word, comprised of two words. FREE : as defined in the dictionary as independent and unrestricted. LANCE: defined as a long spear, or to pierce with a lance.


For those of us who actually live the life of a freelancer, it certainly does (at times) seem like a poke in the eye (or elsewhere) with a sharp stick. It can be a very "feast or famine" affair and your work never ends even though you aren't always pulling a check from the intensive efforts required to keep the gears turning. But despite all the battle scars and tribulations, the FREE part still holds enough compelling appeal to keep us coming back for more. I think a lot of people who might enjoy the "romantic" notion of what a "freelancer" might be, would not fare so well when their lips get dry and full of the taste of dirt and blood from hitting the ground a few times. And that's why it takes a special breed to hang in there and roll with the punches. 

  Speaking of  "punches", I recently read another great article on freelancing by a very funny and talented freelance writer, Chuck Wendig, on his website 'Terrible Minds' entitled: 'Want to be a Freelancer? Just Punch Yourself in the Face, Instead'
In it he brings up one of the more unsung perils of freelancing: Most people who have never freelanced will probably never understand what exactly it is that you do, and you are going to have to be okay with that fact.
   Besides that, you will need to conceal that incredulous look that creeps onto your face when your friends and family start making embarrassingly retarded and backwards statements about your work, of which they clearly know nothing. Chuck's brilliant quote (from the article mentioned above) really captures the heart of the matter with grace and humor! 
   "Nobody seems to believe that freelancing is real. It’s as if you’re playing pretend. “That’s not a real job, is it?” “No, I just made it up. Now, if you’ll excuse me, I have to go hang out with my pet dragon and have a tea party in Narnia." - (Chuck Wendig)
  There is plenty more that can be said on the subject of freelancing (I'll save that for another article) and I could go on and on with a list of stupid crap people have 'unwittingly' said surrounding  the subject, but I think I will leave that for you, dear readers. Any of you freelancers got any stories or examples of the stupid things people have said to you regarding your work? Add your comments here so we can all have a good cathartic laugh,...and then get back to work (or tea time in Narnia, if you prefer;)

Yes I know this isn't Narnia! 
But it's not freelancing either...or is it?
~

Wednesday, December 23, 2009

Music Producers - Musical Multiple Personality Disorder



Producer's Journal
The Deep Dark Secrets of Music Production 
Nobody Wants to Talk About
Perhaps only other producers will be able to relate to this dark secret of the business, but many of us suffer from MMPD (Musical Multiple Personality Disorder).
   It starts off innocently through study of music and music appreciation, but like a gateway drug, leads artists to want to actually create music in genres outside their natural areas of expertise, to explore, collaborate, innovate, and finally bend and twist genre on it's head...And then, it's too late; you are hooked.
You start to notice it when you hear a track in a genre you never liked and suddenly have a wave of immense appreciation for the songwriting and production, or worse yet, you can re-imagine the song in an entirely different genre/arrangement. These musical "hallucinations" can have far reaching effects, including a sometimes excessive build up of interesting, but unrelated tracks in one's music catalog.
For producers who come from the performing/recording artist/band world it can be even more traumatic.
An artist with a band or specific solo project already has identity issues, often using one or more obfuscated identities to represent their 'creative selves' versus their 'business selves', and their 'everyday selves'.
   For those afflicted with MMPD, the compulsion to analyze music and engage in unsavory acts like: research, study, practice, collaboration, experimentation and ultimately becoming involved with 'foreign' genres, becomes irresistible, pulling countless producers down a long hard road of musical addiction.
For the performer turned producer, coming down from a 'one genre' focus and having to enter a beginners mind in unfamiliar territories can be a challenging transition, but the lure of "mind expanding" musical experiences often proves too compelling for an artist just leaving the exciting world of long hours, late nights and too much cigarette smoke.
   Side effects of MMPD can be a heavy level of appreciation for cultural diversity and an open mind.
Often times artists with an established following can suffer the stigma of being accused of lack of focus or betrayal of genre/fanbase. Without a community of other producers willing to come out and openly discuss this 'seamier' side of the business, an individual producer can feel isolated and lock themselves in their studios for hours if not days at a time.
If any of these symptoms or conditions sound familiar to you, you may be afflicted. You may be a producer.
Until now, it had been thought that the only cure for this affliction was a steady job doing only one kind of music (or in extreme cases, no music at all!) for the rest of their life...For some, that cure is worse than the disease.
I am happy to be able to reveal to you today, that the real cure is much simpler, free, and readily available!
The secret? Having a good sense of humor, a healthy dose of ambition and perseverance, and finding a supportive place where you can openly declare:
" I am (insert your name here) and I'm a Producer";)

Happy Holidays,
T. Reed - Composer/Music Producer

Sunday, November 29, 2009

TAO X Productions Online! 11/29/09

Official TAO X Productions Website now online!
After much tribulation, procrastination, and frequent 'conflustrication' (nope, not a word, ...yet;), I finally retooled the TAO X Productions website.
New easy to access flash audio and video samples, project links, and a sleek new design are finally available.
The Shopping and Newsletter features are not fully functional just yet. At the moment they are still a world of code I have to finish grappling with, but I'm well on the way and should have those aspects ironed out before long.
As a long time practitioner of DIY philosophy, it can be both frustrating and rewarding to pick up new software from scratch and tickle the edge of code, while trying to get regular projects done. Web work can be so time consuming and meticulous!
All that said, I hope I've managed to create an enjoyable and useful space for clients, fans, and new viewers to experience a piece of my world as a composer/artist/musician/producer. As time permits I will upgrade and improve the site to better serve the developing needs of my clients and the general needs of the multimedia, post production, music and entertainment industry.
I want to thank everyone who shows interest and visits my sites/blogs etc.
For clients I hope to bring a unique flavor that really helps lift their projects/campaigns to their highest potential. For listeners and fans, I hope you all enjoy my eclectic collection of odd bits, albums, and video work from throughout my career/life as an Artist/Musician/Composer.
I thank you for your ears and your support!
Best Wishes,



T. Reed - Composer/Music Producer
TAO X Productions
Nightmare Sound Lab
TAO X on Twitter

Saturday, November 21, 2009

Godzilla Stop Motion Animation/Score/SFX Test

I ran across this stop motion animation test featuring none other than the Big 'G' himself, with models and animation by Stu Venom. I asked permission to use his work as the basis for an exercise for one of my intern/students in the art of music for film.

This clip features models of Super Godzilla vs HyperGezora in battle.
You can find more about Stu's stop motion animation project at:

http://movies.groups.yahoo.com/group/chokaijugojira/

Friday, November 20, 2009

Rob Zombie 11/19/09

Rob Zombie brought his Hellbilly Deluxe II tour to Milwaukee last night.

I missed Captain Clegg & the Night Creatures, but Nekromantix a hot psychobilly act, featured Lux, an incredible female drummer (who can give any man I know a run for his money on the double kick drum game!)
This was one of my all time favorite shows! Featuring the man himself, with John 5 on Guitar (Marilyn Manson), Tommy Clufetos on Drums (Alice Cooper, Ted Nugent), and longtime Zombie bassist Piggy D. , the show was a stellar example of tight experienced performers with a great sound.

Forgive the lame cell phone cam pics, but I was going to enjoy the show, not be a photographer. For those who want a bigger taste of the Zombie flavor, check out Rob's YouTube page: http://www.youtube.com/user/robzombie
And his Official Site: http://www.robzombie.com/

And no, we are not related;) We are the same age, and share similar influences, but any resemblance to any Zombies either living or now un-dead is purely coincidental.

Saturday, October 17, 2009

The State of The Independent Record Label

Recently, on a professional Industry group, someone posted the question, "Whatever happened to all the pioneering record labels?" I thought I would try and give some perspective on that topic here.


There is one problem that has always been a problem in this industry..but even more so today:

Investment and operating capital, or just plain simply: MONEY! For years I have been trying to set the framework for just such a pioneering label. I did some A&R consulting for a label in the past and got to see first hand the pretty ugly financial truth to operating a label. From that vantage it's quite easy to see why there aren't a million pioneering labels out there. Problem #1: Distributors don't pay fast enough, or at all. Shelf space is finite, subject of fierce competition, and being downsized and out-dated more each day. And returns can crush a label owner and come unexpectedly at any time from a distributor.

Now, during this technological 'weeding out' phase where all these new "models" for distribution and marketing (iTunes, etc.) are competing for dominance in the market, we are in an odd flux where no one is quite sure what the rules are, and, as usual, the established "powers that be" are fighting desperately to regain control of and/or co-opt the innovations that were created specifically to circumvent their system in the first place.

Right now most people with the entrepreneurial spirit, experience, and technical capacity to run a label are busy throwing down in their craft and maintaining financial solvency. IMHO a couple of things need to coincide to create the circumstances that can foster a successful "Pioneer" or alternative label:

1. Money: But that's not enough on its own... you could give someone 100K to get operating and when that money ran out and they were waiting to get paid by distributors, the repo men would already be coming gut the label's office.

2. Research and Experimentation: New distribution methods and their roles in the emerging evolution of this industry need to be studied and paid attention to. A new label pioneer will have to be clear on how they are going to divide their energy between divergent markets and distribution methods.

3. Cooperation: A community of Artists and Labels being innovative and proactive in marketing (viral and otherwise). Artists have got to get over the notion that getting signed to a label means having everything done for you, and Labels need to be in tune with the Art, Artists, the audience, the markets and the money side simultaneously, if a label is to be more than a part-time expensive, time consuming hobby with every bit as many liabilities as a major label (a lawsuit for copyright infringement looks exactly the same when it arrives on your desk as when it arrives at Sony...only difference is the average indie label doesn't have an army of attorneys on retainer. To really make a splash that gets sufficient marketing attention (even for a niche market) it requires co-mutual and creative partnerships and activity that moves that agenda forward with grace and purpose.

4. A Market (with enough disposable income to be customers):

However odd or eclectic one's "niche" might be, a label has to find their market and get them to the door with cash in hand.

5. Luck: Yup, good ol fashioned luck…to be in the right place at the right time, to meet the right people, to sign the right Artists, to hit a market trend just before the ride is about to begin with a quiver full of just the right arrows to hit that mark.

So while this laundry list of the complications and obstacles to running a successful label seems daunting, there are some, myself included, who are working to stir the air enough to start creating the conditions for that perfect storm…In this economic environment however, the process becomes even more lengthy and challenging, no matter what clever angle you come up with. The prize will go to those who have the time, passion, skill, money, and perseverance to weather the economical and technological storm that is creating our current condition, and to be lucky enough to create or choose a business model that works.

Here’s wishing the best of luck to all those taking the time to make the effort!

T. Reed – TAO X Productions - Nightmare Sound Laboratory

Thursday, July 2, 2009

Arts & Business Series - Part 1- Intellectual Property

What every Artist should know about Intellectual Property & Copyrights

(And why they should care)

© 2009 - T. Reed / TAO X Productions

Before I begin, let me first present you with a brief preface and an official disclaimer.

When I started to write this article, it became clear to me that it would take more than one single quickly digestible blog snippet to cover these deep and sometimes gray uncharted waters. I have decided to release the article as part of a series, which I hope you will continue to tune in to for valuable information and insights regarding subjects of interest to professional and aspiring artists alike. For the first part of this series I want to cover intellectual property rights, including topics ranging from copyright and creative commons, to lawsuits and licensing, to sampling and seeking permissions. If that all sounds too dry, technical, and legalese for your taste, then try substituting the alternate more “Artist friendly” title/description:

“Demystifying Intellectual Property - Why my stuff should be mine, and your stuff should be yours, and how we can learn to share our work with the world, make a profit and not get ripped off along the way”.

No guarantee that reading this series will ensure success on all those levels, but armed with a little information and some diligence, you can vastly improve your odds at being in a position to take the most possible advantage of all the hard work and creativity you put into your craft.

OFFICIAL DISCLAIMER: Let me first preface by saying that I AM NOT A LAWYER! Anyone seeking absolute clarity (if that is even an available option), and actual legal authority on any subject contained inside this article should refer to the appropriate regionally based agencies i.e. U.S. Library of Congress Copyright Office (or it’s International equivalents), the artist’s performing rights organization (PRO) i.e. ASCAP, BMI, SEASAC in the U.S., (If you don’t have one or know what that is, then please, do read on!), or one’s own trusted legal council/entertainment attorney. I won’t go into detailed copyright form specifics (which vary), as these forms and the corresponding information are all readily available via the respective copyright offices in your country of residence.

I am an artist/musician/writer and general renaissance man and freak living in the U.S. who has been in the music business for 2 decades, from struggling artist to successful entrepreneur (and that can just be from one week to the next!) Even though I am approaching this article primarily from a musician’s standpoint, the concepts are generally applicable to other art forms as well, which I will touch on briefly throughout. But what I really want to achieve here is to take this subject beyond the legalese and break it down to the core issues, motivations, and attitudes that are meaningful to us all, and which often (for better or worse), guide our hand in forming our own creative path, and manifest the opportunities (or obstacles) that present themselves along the way.

PART 1 – Introduction

The one thing we should all remember, (artist or otherwise) when approaching the topic of “intellectual property”, (If your first instinct when you saw that word was to go, “What?” or simply tune it out, then this article would be ESPECIALLY helpful to you!), is that every artist is out there trying to express themselves with varying degrees of talent, ambition, and solemnity and respect (or lack thereof) regarding the creative rights of their own works and those of others. With such a broad range of attitudes and misunderstandings that abound on the subject, it’s no wonder that this becomes a world that artists prefer to avoid putting too much thought into. Believe me, skilled artists who are successful in their field are keenly aware and on top of, the terms and issues covered in this article. Their eyes would not glaze over, or stare blankly in confusion if I approached them at a party and asked them what they thought about I.P. rights issues (unless they happened to be “overly infused with the party spirit”, if you catch my drift). For all the struggling artists who are continuously grumbling that they just can’t get a break, the preceding is a very noteworthy, statement so let me repeat it: With almost no exception, “Every successful artist has at least a fundamental understanding of, and interest in, copyright law and intellectual property rights”.

Now let’s get to it. If there is any assumption one would be safe making regarding copyright and IP law, it would most likely be to assume everything you see or hear or read or that is made by man in general, belongs to someone and therefore has inherent protections under copyright, trademark, or patent law. Start there and work backwards with any of the additional verifiable facts that are concrete. There will be plenty of time to deal with gray areas.

Sampling was one of those gray areas a few years back (1980s and 90s), which is no longer AS gray. I will go into greater detail on that subject in another installment dedicated more specifically to that issue. But let’s start by tackling a short list of misnomers and misunderstandings about copyright law (at least as it stands in the United States at the time this article was written). These will begin to open up the discussion to some of the individual aspects involved in the process of understanding IP rights that I will delve deeper into in future installments of this series.

A Few Common Misnomers About Copyright Law

1. I have to file a copyright claim and pay the $30 (as of this writing) to register my song/CD/artwork/literature with the Library of Congress or my work won’t be protected.

NO, not true, once you affix your work to a physical medium you have ownership and copyright to that work. That said, it would be a whole lot easier to prove it in a court of law however, if you bit the bullet, paid the fee, and filed your paperwork.

2. If an artist doesn’t post a copyright notice on their work, then it doesn’t have a valid copyright claim and falls into Public Domain.

And that would have been true… until that law was changed in 1989 to comply with the Berne Convention. Many foreign works originally published without copyright notice before that date, that could have entered the public domain in the United States, have had their copyright restored by the URAA (Uruguay Round Agreements Act), which amended that oversight.

3. I can legally use samples of another artist’s music or clips from movies (without getting clearance) if I: (insert/select ill-founded rationalization here).

A. Only use a little section or mash it up beyond recognition.

B. Am not making any money from sales of the work in question.

C. Still believe that everything you can see or hear on the Internet should be free.

And of course the correct answer to the multiple choice is NO, NO, and NOOOO! Recent court cases have set precedent that pretty much says no to sampling any uncleared bits of anyone else’s work without permission, (and most likely clearance fees) from all interested parties. (More on this later in the series).

4. I can use a portion of someone else’s copyrighted material on a project I’m doing that is not for profit.

Really? Perhaps but only if it complies with Fair Use Doctrine and ‘Fair Use’ is a pretty limited and specific law, which you better understand clearly before ‘assuming’ anything.

And this brings us to the first rule of Intellectual Property law:

Assumption can be a very expensive legal strategy. Don’t do it.

Do your research. If every single note or sound or image you are creating isn’t absolutely painstakingly created by YOU and placed into your 100% original work, then you may want to clean up the piece or track down the appropriate parties to request permission and pay any fees required to use someone else’s material. Anyone serious about making a career out of ‘The Arts’ needs to get serious about the subjects contained in this article/series. Another good resource to help guide you in this process would be to check out the latest edition of Richard Stim’s “Getting Permission” by NOLO Books or any of their other fine books on copyright law and the IP business.

Also, make sure you read the licensing agreements on all the Royalty Free samples and loops you might use as well. They may not all have the same license agreement and specific usage might be restricted. It pays to know. Your license agreement on a royalty free loop disc is a binding contract, be sure you read it before you assume anything. And whenever in doubt, especially when something significant could be on the line, consult a qualified attorney in the area of expertise you require.


WOW, now you might be thinking “That sounds like no fun, what a pain to do all that ‘research’ and ‘reading’ and asking permission and paying fees, instead of just playing with my music toys and making cool sounds and stuff”! If those were the only thoughts that come into your head after reading this so far, then I’d re-examine your desire to make it in the industry of art and keep it just a hobby. Being an Artist who makes their living exclusively from art/music is one of the hardest jobs and courses in continuing education one can engage in. If it were easy, everyone would be millionaire artists, so prepare to dive in, do some extra work and get yourself (and your mindset) ready, so you can not only enjoy what you are doing, but also reap the benefits and rewards from doing professional work that is legally and ethically straight up. If you do your homework ahead of time, and do your job right, you may never have to experience the bitter pill of being on the wrong side of a lawsuit (which by the way tends to be either side, a litigious strategy is a costly money and time drain whether you are the plaintiff or the defendant!

OK I’ve laid out a lot of SCARY warnings and said a lot of NO, so next time tune in for the Arts & Business series where I will provide some Yes answers!

T. Reed - TAO X Productions -– Nightmare Sound Laboratory

www.taoxproductions.com