Kaijusonic - Release DelayedKaijusonic Team - Nightmare Sound/TAO X Productions
Nightmare Sound Lab is dedicated to all things Horror and SciFi in music, art, movies, comics, and culture. At Nightmare Sound Laboratory there is a monster in every room and a robot doorman to guide the way. Mad science is the only science studied here, and outlandish sonic experiments are the rule, not the exception.
Showing posts with label electronica. Show all posts
Showing posts with label electronica. Show all posts
Wednesday, November 4, 2009
Kaijusonic Update
Kaijusonic - Release DelayedKaijusonic Team - Nightmare Sound/TAO X Productions
Friday, July 10, 2009
Rise of the Retrobots Update and blog notes
Rise of the Retrobots Update for 07/10/09
This update is a personal note to inform everyone of the status of the Rise of the Retrobots project, The Monster Makers Lab and the Nightmare Sound Blog.
I have received several excellent contacts with interested Artists some of whom are busy working hard and some even having already submitted tracks which have proven qualified to be eligible for selection.
All three of these projects were launched simultaneously this June (2009) in a fit of ambition and artistic passion. There are still some communication and networking structures I need to establish to make this easier for me to communicate with all participants (and potential participants and sponsors) so that I don't have to spend all my time re-iterating the same ideas via different forums/formats and individual emails. So bear with me and please participate in the alignment as the infrastructure gets molded to make this all smooth and easy.
What is in place currently is as follows:
I have already established a decent FTP solution for submissions, important file exchanges, and
Artists who want to collaborate. The details of which will be provided as I get contact from the individual Artists.
To help centralize communications, please send all correspondence and inquiries to:
retrobots@nightmaresound.com
Postings of latest news and instructions on compilation project are available at:
RISE OF THE RETROBOTS OFFICIAL SITE UPDATES
http://nightmaresoundlab.blogspot.com/
http://groups.yahoo.com/group/monstermakerslab/
In addition to some duplicate Blog info and updates, some sample excerpts of the types of tracks and other media that will be on this project is available at:
RISE OF THE RETROBOTS on MySpace
(Currently there is 1 sample available: "Kill Robots Rise")...More examples will be added as submissions are completed and accepted.
Because of the greater scope, the uniqueness, and complexity of this multi-media compilation project, I am still in the process of honing down the best system and guidelines to bring everything together smoothly and create an enormously cool project we can all be proud of. My sincerest wish is that all who choose to participate and can contribute a quality piece and/or some assistance promoting the project will be able to use this project as their own promotional tool and have an excellent creative experience.
Of course, all my regular work and pursuit of paying prospects must continue right alongside these projects that I foster out of love for the subject matter and the collaboration involved.
I am currently wrapped up in a critical phase of screenwriting with a partner where some deadlines are involved, so I may be a bit sparse with updates and communications over the next 2 weeks in July, but please sign on to publicly follow the Nightmare Sound Lab Blog to keep posted and informed, and to be eligible for contests.
NEW CONTEST WILL BE ANNOUNCED SOON! SO KEEP YOUR EYES PEALED
I will do my best to keep things coming and keepin it fresh and exciting!
Keep those submission ideas coming!
Thanks!
T. Reed - TAO X Productions - Nightmare Sound Laboratory
Sunday, June 21, 2009
Rise of the Retrobots - History - Mission -Future
Present:
'Rise of the Retrobots'
'Rise of the Retrobots'
Greetings Fellow Electrobotic Freakazoids...
As owner of TAO X Productions, one aspect of my work is to connect with excellent Artists interested in similar genres and mediums as those generated in my Nightmare Sound Laboratories, as well as other new, innovative, or just plain high caliber creativity.
Outside of composing for commercial work and other projects (when in survival mode), I feel it is my duty to keep my own music alive and to share and collaborate and bring new and interesting projects and compilations into the world. For better or worse, I also tend to have a pension for making things slightly more complicated and full blown, and spend a good deal of energy and time making sure things are clear, legally clean, and sound overall.
Around 2003 I embarked upon bringing together the first TAO X Records compilation project,
As owner of TAO X Productions, one aspect of my work is to connect with excellent Artists interested in similar genres and mediums as those generated in my Nightmare Sound Laboratories, as well as other new, innovative, or just plain high caliber creativity.
Outside of composing for commercial work and other projects (when in survival mode), I feel it is my duty to keep my own music alive and to share and collaborate and bring new and interesting projects and compilations into the world. For better or worse, I also tend to have a pension for making things slightly more complicated and full blown, and spend a good deal of energy and time making sure things are clear, legally clean, and sound overall.
Around 2003 I embarked upon bringing together the first TAO X Records compilation project,
Brotherhood of the Drone - Volume I 
The result of those "complicated" methods and diligence apparently paid off with an enormously cool compilation of 13 International Drone Artists whose tracks, mastered by Thomas Dimuzio @ Gench in San Francisco) all flowed beautifully together in a mentally audio-cinematic experience of amazing variations in the possibilities of Drone Music. Unfortunately, my schedule and budget made it impossible to give that project the additional care, support and distribution a work of that caliber actually deserved (albeit the small niche of style specific fans that Drone Music holds;) I send my highest regards and thanks to all the contributors to the Brotherhood of the Drone Compilation. Since that project, I've put some thought on that problem and I intend to correct that disparity for the future of TAO X Records projects, and even possibly return to do Volume II of the Drone Compilation, at which time I will probably create a special offer putting Volume I & II together, so the original CD can get it's due presentation to the World. For the time being however, I am concentrating on the "Rise of the Retrobots" Compilation (and of course, 6 other projects I am trying to wrap up simultaneously;) It is my deep love for all things Monster and Robot, make this a project that is especially close to my heart.
This compilation is even more ambitious, as I am attempting to bring Artists, Animators, Videographers, and Musicians into the tent together to stew this into an eclectic, electric, fantastic audio-visual contraption of sheer retro-future magnificence with a general coolness factor of 10x;) To this end, I am being temporarily flexible about submission deadlines and structure, because a part of what I want to achieve is to create some cross-pollinated creative collaborations, mixes, etc. to make this a unique project in terms of a good percentage of special custom tracks being created exclusively for this comp, but also because of the effort to bring it to another level with video, art and new media to whatever extent and creative design the contributors can bring to the table. I want this project to have a unique and technologically forward scope while presenting an intriguing and aesthetically appealing retro-future vibe to it.
To achieve the desired level and scope of this project, I am going to attempt to alter the course and grand tradition of all Indie Labels (at least ones run by 8 brained producer's with more ideas than hands or time to do them all, who want to put out great works no matter what it takes and simply finance it themselves). Herein I will attempt to come up with some creative concepts to finance this project properly via private and corporate sponserships, from people or companies who would benefit by advertising their "Robotic" product, art, toy, service or or biz, or who just love robots! I am also contemplating the creation of a line of merchandise including T-Shirts and possibly some other goodies as well. A selection of BAD ASS Robot T-Shirts ranging from the cute to the menacing, would probably have a broad appeal and might help offset CD/DVD production and distribution costs. This combined with special offers and pre-orders might get us to a better place to be able to produce AND promote a project worthy of it's weight in circuits and bolts;)
One thing for sure, your support and interest, whether as a creative co-conspirator or a music/art loving fan is essential and greatly appreciated!
So spread the word and please keep following the progress here. I will be adding updates, T-Shirt designs, Contests and more, some of which may be exclusive to ROTR contributors, my followers on this blog, or friends at the
T. Reed - TAO X Productions/Nightmare Sound
This compilation is even more ambitious, as I am attempting to bring Artists, Animators, Videographers, and Musicians into the tent together to stew this into an eclectic, electric, fantastic audio-visual contraption of sheer retro-future magnificence with a general coolness factor of 10x;) To this end, I am being temporarily flexible about submission deadlines and structure, because a part of what I want to achieve is to create some cross-pollinated creative collaborations, mixes, etc. to make this a unique project in terms of a good percentage of special custom tracks being created exclusively for this comp, but also because of the effort to bring it to another level with video, art and new media to whatever extent and creative design the contributors can bring to the table. I want this project to have a unique and technologically forward scope while presenting an intriguing and aesthetically appealing retro-future vibe to it.
To achieve the desired level and scope of this project, I am going to attempt to alter the course and grand tradition of all Indie Labels (at least ones run by 8 brained producer's with more ideas than hands or time to do them all, who want to put out great works no matter what it takes and simply finance it themselves). Herein I will attempt to come up with some creative concepts to finance this project properly via private and corporate sponserships, from people or companies who would benefit by advertising their "Robotic" product, art, toy, service or or biz, or who just love robots! I am also contemplating the creation of a line of merchandise including T-Shirts and possibly some other goodies as well. A selection of BAD ASS Robot T-Shirts ranging from the cute to the menacing, would probably have a broad appeal and might help offset CD/DVD production and distribution costs. This combined with special offers and pre-orders might get us to a better place to be able to produce AND promote a project worthy of it's weight in circuits and bolts;)
One thing for sure, your support and interest, whether as a creative co-conspirator or a music/art loving fan is essential and greatly appreciated!
So spread the word and please keep following the progress here. I will be adding updates, T-Shirt designs, Contests and more, some of which may be exclusive to ROTR contributors, my followers on this blog, or friends at the
Rise of the Retrobots Official MySpace page.
In fact I'm feeling another Blog coming on...Yes, Yes...T-Shirts, Contests, ...do them!...
In fact I'm feeling another Blog coming on...Yes, Yes...T-Shirts, Contests, ...do them!...T. Reed - TAO X Productions/Nightmare Sound
Sunday, June 14, 2009
Welcome to the Nightmare Sound Laboratory
I'd like to begin with a brief introduction and a story to help you make sense of the many oddities you will doubtless encounter herein. My name is T. Reed and I am a Composer, Music Producer and Artist. This affliction possessed me as a small child infatuated with horror movies, and obsessed with comics, monsters and robots (Oh how little has changed;). I believe I can pinpoint the exact moment in time when my course and purpose was set and permanently engraved upon my soul much like the Curse of the Werewolf that was placed upon Lawrence Talbot in the old Saturday Night creep shows.
At age two, I drew pictures of Batman and declared that I would be an Artist when I grew up, but it was Kindergarten, the ultimate horror story for some, destroyer of youth and innocence, that pushed me into what I am today. In my first encounter with the agencies of conformity and assimilation, I remember nothing of note upon that day until, much to my surprise and wonder, the teacher announced that we were all going to take a trip to the
laboratory. As we walked in an orderly fashion down the halls, I envisioned a room with scales, skulls and bones, vials of glowing substances, and beakers of preserved specimens and creatures of unknown origin. I could see a mad scientist suspiciously similar to Boris Karloff in appearance, teaching Mad Science 101 in the Science Lab in my minds eye. On that first day of school, I was launched into society, into the Belly of the Beast, and for one brief shining moment I had hope for a life of excitement and joy. So this was School, eh? AWESOME! This momentary ecstasy was of course merely the product of my imaginings and shattered into pieces on the cold tile floor of the hallway that we seemed to have stopped in inexplicably.
As I waited patiently, I noticed that little by little, the teacher was allowing students to use the bathrooms. "Ah, I see, I told myself, a pit stop on the way to the 'real' laboratory" but even then, a sinking feeling had begun to build in the pit of my stomach that I just couldn't shake. It was confirmed when we turned around and walked back the way we'd come. Who came up with the word 'Lavatory' anyway, and when were we, (as 5 year olds), supposed to have assimilated that word? All I know is that those 8 letters spelled my first great disillusionment. Welcome to the 'real world': disappointment, misunderstanding, boredom, and waiting in line to crap out numbers and yesterdays food products....It was then, that somewhere deep inside, I cracked and made a solemn unspoken oath to fulfill the imaginary world of Laboratories and Mad Scientists I had envisioned waiting in that hallway. That hallway that crushed my childhood and my dreams in one fell swoop, also swung wide the doorway to my imagination.
I now open that door to you.
Never again will you have to face the annoying disappointment of utilitarian blandness! Here at the Nightmare Sound Laboratory there is a monster in every room and a robot doorman to guide the way. Mad science is the only science studied here, and outlandish sonic experiments are the rule and not the exception.
Welcome to my World.
T. Reed - Composer, Music Producer, Artist
King Komodo/Cryotanks Image by Todd Tennant used with permission
At age two, I drew pictures of Batman and declared that I would be an Artist when I grew up, but it was Kindergarten, the ultimate horror story for some, destroyer of youth and innocence, that pushed me into what I am today. In my first encounter with the agencies of conformity and assimilation, I remember nothing of note upon that day until, much to my surprise and wonder, the teacher announced that we were all going to take a trip to the
laboratory. As we walked in an orderly fashion down the halls, I envisioned a room with scales, skulls and bones, vials of glowing substances, and beakers of preserved specimens and creatures of unknown origin. I could see a mad scientist suspiciously similar to Boris Karloff in appearance, teaching Mad Science 101 in the Science Lab in my minds eye. On that first day of school, I was launched into society, into the Belly of the Beast, and for one brief shining moment I had hope for a life of excitement and joy. So this was School, eh? AWESOME! This momentary ecstasy was of course merely the product of my imaginings and shattered into pieces on the cold tile floor of the hallway that we seemed to have stopped in inexplicably.As I waited patiently, I noticed that little by little, the teacher was allowing students to use the bathrooms. "Ah, I see, I told myself, a pit stop on the way to the 'real' laboratory" but even then, a sinking feeling had begun to build in the pit of my stomach that I just couldn't shake. It was confirmed when we turned around and walked back the way we'd come. Who came up with the word 'Lavatory' anyway, and when were we, (as 5 year olds), supposed to have assimilated that word? All I know is that those 8 letters spelled my first great disillusionment. Welcome to the 'real world': disappointment, misunderstanding, boredom, and waiting in line to crap out numbers and yesterdays food products....It was then, that somewhere deep inside, I cracked and made a solemn unspoken oath to fulfill the imaginary world of Laboratories and Mad Scientists I had envisioned waiting in that hallway. That hallway that crushed my childhood and my dreams in one fell swoop, also swung wide the doorway to my imagination.
I now open that door to you.
Never again will you have to face the annoying disappointment of utilitarian blandness! Here at the Nightmare Sound Laboratory there is a monster in every room and a robot doorman to guide the way. Mad science is the only science studied here, and outlandish sonic experiments are the rule and not the exception.
Welcome to my World.
T. Reed - Composer, Music Producer, Artist
King Komodo/Cryotanks Image by Todd Tennant used with permission
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